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Who Do I Say I Am?

28/9/2023

5 Comments

 
Identity is a powerful force that shapes an artist’s work, especially when we make the decision to join the ranks of professional artists. Identity influences our perspective and sometimes it even confounds us. For me, this struggle has been particularly poignant as I’ve grappled with the question of whether I’m a contemporary African artist or an English contemporary artist having now lived in the UK for  nearly 40 years. 

Recently, during a course to help me hone my social media skills, I had to write my profile as an artist and this really got me thinking;  is it about who I am as an artist, or is it about the type of art I produce?

Growing up in Ghana, I was deeply connected to my African heritage, the vibrant colours, rich history,  and diverse cultures were embedded in my identity. Art as I knew it at the time was in itself quite heavily influenced by European practice. Easel art, was still a relatively new concept and most of the influential Ghanaian artists can be traced back to a post colonial Ghana. Nevertheless, my early artistic expressions were heavily influenced by African art themes and motifs and I felt a strong sense of belonging to the African art scene.

Life brought me to the UK, and new influences and the British culture began to seep into my creative consciousness. My subject matter started to evolve, taking on broader themes and incorporating a more eclectic palette.

As I continued to create my art, I found myself at a crossroads. I questioned whether I could claim the title of contemporary African artist when my experiences and surroundings had evolved so significantly. At the same time I wondered if I could be considered an English contemporary artist when my roots held such a profound influence in my work.

Rather than allowing myself to feel confined by the struggle to choose one identity, I decided to embrace both aspects. I realised that my unique perspective could bridge cultures and create narratives between both worlds. My journey as an artist has taught me that identity is not a static concept, but a dynamic evolving force spanning both cultures and this is a strength, not a limitation. Art has the power to transcend borders and create connections. 

Then came social media! The role of social media in reflecting this identity has become both a blessing and a challenge to me. On the one hand, it offers a platform to share our work with a global audience providing exposure that was once unimaginable. However, it also intensifies the pressure to define oneself within the constraints of categories and hashtags. 

Social media platforms almost demand that artists categorize themselves; too wide a diversity dilutes the audience range and forces us to choose sides in the battle of defining who we are as artists. 

As an artist grappling with identity, I’m learning to embrace the ambiguity that social media can’t capture. I’m learning to appreciate that the essence of my work lies in it’s ability to transcend categories and speak to a diverse audience. I know this does not fit in with the algorithms but I very often have to remind myself I am an artist, not a social media junkie.

In a world where social media often equates success with viral trends and clear-cut identities, I’ve had to redefine what success means to me as an artist. It’s not about fitting into pre-defined boxes, it’s about staying true to my unique vision, and to use my art, diverse as it is - to spark conversations about identity and diversity.

As an artist, do you often struggle with your identity? Are you constrained by social media when it comes describing your art? Do drop me a line in the comments below.

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5 Comments
Lisa Timmerman link
30/9/2023 12:43:50 pm

How interesting Anne!
I agree with you that all the different aspects of our lives feed into our art & give us a unique perspective. I feel my ‘clear cut identity’ is first and foremost ‘artist’. I’m really happy with that. The about section on my website tells more of my background story but I leave anyone interested to draw their own conclusions, I don’t feel that’s in my control. It’s just information.
You mention redefining what success means to you as an artist. I’ve had this experience too and find it a constant challenge. It really seems to be all part of the evolution of being an artist on our journeys of self discovery.
I love your art & although I don’t really know you, I see it as being a reflection of your personality. Joyful. Whether that needs to be labelled or hash tagged to a country only you can know. It certainly stands alone strongly. I look forward to seeing how it evolves to reflect your personal challenges. Thank you for an interesting read!

Reply
Anne Blankson-Hemans link
1/10/2023 10:21:54 am

Thanks so much Lisa for such an interesting reply. I do agree with you! Intrinsically, our clear cut identity is first and foremost ‘artist’. The issue arises when we are asked to drill down further beneath the skin so to speak. As I mentioned, this got me thinking when I was asked to write my profile during a social medial course to satisfy the algorithms so to speak. I had to remind myself social media is not my raison d’etre.
It’s interesting the way you see me through my art and are able to sun it up in one word ‘joyful!’ Thank you for that. I think it’s because of the vibrant and energetic colours I use which is in turn derived from my heritage and cultural upbringing.
Thanks so much for taking the time to read and comment on my blog… I really appreciate it.

Reply
Yeside link
30/9/2023 04:20:28 pm

Yes, bridging cultural narratives is a challenge. Having lived most of life in the UK, my Nigerian heritage is still part of my being though culturally I was raised to adopt British values: a colonised education which my father believed was best for me in the 1950s.
As a retired teacher of English turned artist in the last few years, the social media algorithm has finally detected my ethnicity!
I used to worry last year that I might me be compromising my birthright by producing abstracted landscapes, abstracts - all of which seemed to sit in the Western canon of contemporary art. The art I was being fed was mainly of Black artists producing figurative works or portraits of “Seeing Ourselves”. The tide is turning and I know there is a seat at the table for my authentic self which is eclectic. I’m still working to be defined as a female artist who happens to be Black. Sadly, it’s necessary to use opportunities offered by Black Curators who recognise the need to promote diversity when other cultures have been marginalised in terms of visibility. I could go on…Thank you for exploring the issue of identity.

Reply
Anne Blankson-Hemans link
1/10/2023 10:45:13 am

Thanks so much Yeside for your comment. Like you I was brought up to adopt British values and a colonised education which I did growing up in Ghana so I was able to absorb the Ghanaian culture at the same time.
It’s interesting the way you talk about compromising your birthright! That’s exactly how I feel when I produce landscapes, portraits, or still life paintings which seemingly do not reflect my Ghanaian heritage per se. Should it though? As Lisa mentions in her comment above, first and foremost my identity is ‘artist!’.
I have to admit I am being drawn like a magnet to the narratives of artists producing figurative works of ‘seeing ourselves’, like them I feel the change of looking outwards and more introspectively inwards at myself and who I am. I want to tell stories of who I was growing up in Ghana all those years ago.
For me, I think I am trying to rely less on using social media to find my market and to find other ways of reaching potential buyers and collectors…
It’s a big subject this identity thing and all sorts of variables feed into it, sometimes I am completely overwhelmed.
Thanks so much for taking the time to read and comment Yeside, I really appreciate it.

Reply
Miguel Bevia link
18/1/2024 02:12:05 pm

This blog post resonates with me on so many levels! The journey you've shared, grappling with the influence of your African heritage and the evolving impact of British culture, mirrors the complexities many artists face in defining their identity. It's fascinating to see how your art has evolved, weaving together both cultural influences and creating a narrative that spans boundaries.

The struggle you describe when crafting a social media profile is all too real. The pressure to neatly fit into categories and hashtags can be stifling, especially when your work defies easy classification. It's refreshing to hear your perspective on embracing ambiguity and appreciating the essence of your work that transcends conventional labels. The tension between staying true to your unique vision and succumbing to the demands of algorithms is a constant battle for many artists in the digital age.

Your decision to redefine success based on staying true to your vision rather than conforming to predefined boxes is inspiring. It's a reminder that art is about expression and sparking conversations, not just conforming to viral trends. In a world dominated by social media metrics, your journey serves as a testament to the importance of authenticity and the power of art to challenge and celebrate diversity.

As an artist myself, I've certainly grappled with questions of identity and the limitations imposed by social media platforms. It's heartening to read your story and find encouragement to continue navigating this complex intersection of art and identity. Thank you for sharing your experience, and I look forward to more conversations on these crucial topics in the comments below!

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    I love to paint and sketch and although predominantly a studio artist, I have discovered the joys of painting and sketching outdoors. 

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  • HOME
  • AVAILABLE PAINTINGS
  • Artwork Archive
    • People & Places
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