I’ve often joked if I were ever to win the lottery, I’d buy myself a large studio with a bedroom and kitchen attached, perhaps a nice little sunny garden too. I’ve always imagined, a larger studio would house my ever growing collection of unfinished paintings, the ones I’ve been hanging on to in the hope one day I might return and complete.
Every so often as I contemplate my shrinking space, I look at some of these paintings and tell myself I really ought to make a decision about these one way or the other; complete them or get rid of them forever. I appreciate for many of us artists, quite a lot of what we produce does not actually see the light of day but is there any reason why we hang on to some of them rather for longer than we ought? I probably start those paintings in a flash of inspired and energetic genius and then find myself losing momentum as another spark of genius hits me mid-brushstroke. Time to abandon the current painting and begin a new one before that energy also leaves me forever. I am sure this is not a unique situation for me and my fellow artists will testify to this with stories of their own, so seriously what should we do? What would you do? Complete the painting or leave them as they are as some kind of legacy to posterity so some psychoanalyst can perhaps explain the mind of some long departed artist to try and unravel the the story they were trying to tell? Or perhaps figure out at what point and where exactly it was they lost the momentum? Or maybe showcase the initial burst of creativity, whilst projecting their own narratives on the unfinished piece? Is it possible to rekindle the fires that first started the painting or do they belong to a time that is now past? As an artist, deciding whether to finish an abandoned painting can be a bit of an internal struggle. One thing I do know, you can’t force it, as we risk losing the spontaneity and authenticity, whilst leaving it unfinished might prevent it from reaching its full potential. Ultimately, the choice to finish a painting lies in the delicate balance between honouring the initial spark of inspiration and embracing the potential for growth and transformation. It is a struggle that requires introspection, as we ponder our original intentions and our emotional connection with the work. So whilst I’m trying to make up my mind, my collection continues to grow and my dreams of a larger studio as elusive as my lottery win. Tell me, as an artist how do you handle this, as a non-artist or collector, what would you say to us artists? Do please comment below and lets start the discussion.
10 Comments
Willy Gilder
28/8/2023 04:04:31 pm
Deciding what to do with unfinished work isn’t a quandary I have, as I always try and complete a picture in one go.
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28/8/2023 04:17:00 pm
I imagine that’s true for you Willy and I do admire the energy and spontaneity in your work. I think my studio pieces are more measured abs so carefully crafted they take longer than they really should and with other distractions, I soon lose the momentum.
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29/8/2023 01:22:54 pm
Yes, yes and yes!
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29/8/2023 07:08:09 pm
You made me giggle there Lady Stafford! Loving the husband there as a life commitment next to the dogs and admin lol.
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Isaac Neequaye
29/8/2023 02:00:51 pm
Well colour me surprised at the thoughts you’ve shared. I know I shouldn’t be, given that we are both artists even though our chosen media may differ. Although my art comes out as a more or less finished work, the challenge has been finding an appropriate caption or accompanying narrative as I believe mere photos are somewhat meaningless without them. Sometimes the inspirational spark tarries so long that you just move on, you really have to. Now like you I’ve accumulated hundreds, if not thousands of photos waiting to see the light of day. But I haven’t given up and will therefore encourage you not to either. Who’s to tell whether and how the finished work differs from the original inspiration? No doubt the finished work will be different and likely even ‘better’ given your more deliberate brush strokes towards an unknown end.
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29/8/2023 07:14:29 pm
Well thank you for those words of encouragement Isaac. I certainly will not give up and in fact so much so my rafters are creaking with the weight. Lol.
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30/8/2023 02:00:10 pm
As a non artist.... Painting seems to be like life. We have the energy when we have it and as long as we continue to plug along, it all becomes part of a bigger picture of us. A painting that you may not have "finished"... hmmm.... perhaps it is finished. We are far too judgmental of ourselves and our accomplishments. Perhaps it is finished for the time being, and new experiences will bring a new perspective as to what it needs.
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30/8/2023 06:16:27 pm
Painting seems to be like life… what a great analogy Theresa. I wholeheartedly agree with you and yes I agree, they are perhaps finished for the time being and new experiences bring fresh perspectives. Thanks for that input. All along I’d been thinking of finishing them along the lines of when I first conceived them.
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I can totally relate. If I had the answer I'd tell you... in my dreams, some art historian in 2400 will be delighted to 'unpack' my process through the medium of those unfinished paintings. But in reality, I think they're probably best sanded down and overpainted. Yours might be more promising than mine. To your point about forcing it though, I would say that commissions are really good for giving me no way out but to complete them, so that means I learn to push through 'the wall' (which is the point where I usually abandon things, that awkward middle stage). Do you ever go back to old paintings that you thought were finished and work on them some more? That's something else I've been pondering...
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23/9/2023 08:01:43 am
Yes yes yes re finished paintings which are still not finished ha ha. I have 2 in the studio that I’m eyeballing as we speak - I’ve decided I want to take them ‘further’ but also having a serious word with myself if that’s what I really want to do… somewhere behind me I am feeling this great push!
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AuthorI love to paint and sketch and although predominantly a studio artist, I have discovered the joys of painting and sketching outdoors. Archives
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